David Johnson (1827–1908)

Rogers Slide, Lake George, New York, 1870

  • Oil on canvas
  • 13 3/8 x 21 3/8 inches
  • Monogrammed and dated lower right: DJ 1870.
David Johnson - Rogers Slide, Lake George, New York, 1870

Provenance

  • Private collection, Rosyln, New York
  • Trinity Episcopal Church, Roslyn, New York, donated from above
  • Kennedy Galleries, New York, New York
  • Jean and Alvin Snowiss, Pennsylvania, 1982
  • Questroyal Fine Art, LLC, New York, New York, acquired from above, 2017
  • Collection of J. Jeffrey and Ann Marie Fox

Literature

Joyce Henry Robinson, An Endless Panorama of Beauty: Selections from the Jean and Alvin Snowiss Collection of American Art (University Park, PA: Palmer Museum of Art, 2003), 62.

Stephen Sessler, ed., American Art: Collecting and Connoisseurship (London: Merrell Publishing, 2020), 20.

Note

A biography on David Johnson, provided by Kennedy Galleries with the painting in 1982, notes that, “John I.H. Baur in his article on David Johnson recently published in THE AMERICAN ART JOURNAL (Vol. XII, No. 4, Autumn 1980, pages 32–65) states that Johnson worked in the 1869–1870 period in New York and New Hampshire. He favored in his compositions at that time a foreground bank, a broad surface of water, one or two figures in a boat and a mountain behind. Mr. Baur was not aware of ‘Roger’s Slide, Lake George, New York’ at the time his article was published; however, when he saw the painting at Kennedy Galleries as it came on the market in November 1981, he proclaimed it to be the finest landscape by David Johnson he had encountered.”[1]

[1] Kennedy Galleries (unpublished essay, 1982).

Related Work

Shelving Rocks, Lake George, New York, 1872, graphite, black ink, and white gouache on faded blue wove paper, 12 7/16 x 18 7/8 inches, titled, monogrammed, and dated; Harvard Art Museums/Fogg Museum, Cambridge, Massachusetts

View From the Ruins of Fort George, Lake George, 1873, oil on canvas, 16 1/2 x 28 1/4 inches; Adirondack Museum, Blue Mountain Lake, New York

Lake George, Looking North, From Tongue Mountain Shore, 1874, oil on canvas, 14 x 22 inches; Adirondack Museum, Blue Mountain Lake, New York

Mountain Lake Landscape, oil on canvas, 12 1/16 x 19 3/16 inches; Mead Art Museum, Amherst, Massachusetts

catalogue

catalogue

A Collector’s Journey

The catalogue, A Collector’s Journey, is designed specifically for museum directors and curators, by focusing solely on the appearance, provenance, and exhibition history of each painting. The collections are dynamic and will continue to expand as additional exceptional and historically important paintings are acquired.

contact us

Contact Us About The Collection

The foundation is committed to broadly sharing our collection with museums. If you are a museum director or curator interested in exhibiting works from the collection, please contact us.