Albert Bierstadt (1830–1902)
Mount St. Helens, Columbia River, Oregon, ca. 1889
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Oil on canvas
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18 1/8 x 32 5/8 inches
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Monogrammed lower left: ABierstadt.
Provenance
- Sotheby Parke-Bernet, New York, New York, April 25, 1980, lot 170A
- L. D. “Brink” Brinkman, Kerrville, Texas, (possibly) acquired from above
- Sale, Heritage Auctions, Dallas, Texas, May 7, 2021, lot 67076, from above
- Questroyal Fine Art, LLC, New York, New York, acquired from above
- Collection of J. Jeffrey and Ann Marie Fox, acquired from above
Exhibited
Volcano! Mount St. Helens in Art, Portland Art Museum, Oregon, February 8, 2020–January 3, 2021[1]
The American Masters, Questroyal Fine Art, LLC, New York, New York, October 7–December 30, 2021
The Bierstadt Brothers, Hudson River Museum, Yonkers, New York, October 21, 2022– September 10, 2023
Literature
S. H. McGarry, Honoring the Western Tradition: The L. D. “Brink” Brinkman Collection (Kerrville, TX: L. D. “Brink” Brinkman Foundation, 2003), 4.
Important American Paintings, Volume XXII: The American Masters (New York: Questroyal Fine Art, LLC, 2021), n.p.
Note
This work depicts Mount St. Helens, located about fifty miles northeast of Portland, Oregon. While the exact location shown is difficult to determine because Bierstadt often took some artistic liberties, according to archaeologist Cheryl Mack the vantage point is likely from Mount Mitchell, a smaller peak near Mount St. Helens. To the right is Mount Rainier and to the far right is Glacier Peak.[2] An “indefatigable traveler,” Bierstadt traveled to western Canada and Alaska in summer 1889; in September and October 1889 he sketched Mount Rainier, Mount Hood, and Mount St. Helens in the [former] Washington Territory and present-day Oregon.[3]
This painting will be included in the forthcoming catalogue raisonné of the artist’s work, by Melissa Speidel.
[1] Online exhibition: https://portlandartmuseum.org/online-exhibitions/volcano/
[2] Cheryl Mack, retired archaeologist for the Gifford Pinchot National Forest, identified the vantage point and confirmed which peaks are depicted in this work.
[3] The title likely includes the word Oregon because it was common at the time for easterners to refer to the entire Pacific Northwest as simply “Oregon,” and Washington did not become a state until November 1889, after Bierstadt’s travels to the area.
catalogue
A Collector’s Journey
The catalogue, A Collector’s Journey, is designed specifically for museum directors and curators, by focusing solely on the appearance, provenance, and exhibition history of each painting. The collections are dynamic and will continue to expand as additional exceptional and historically important paintings are acquired.
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